I pass the feeder and yell, Grackle party! And then an hour later I yell, Mourning dove afterparty! (I call the feeder the party and the seed on the ground the afterparty.) I am getting so good at watching that I’ve even dug out the binoculars an old poet gave me back when I was young and heading to the Cape with so much future ahead of me it was like my own ocean. I yell, Tufted titmouse! and Lucas laughs and says, Thought so. But he is humoring me, he didn’t think so at all. My father does this same thing. Shouts out at the feeder announcing the party attendees. He throws out a whole peanut or two to the Steller’s jay who visits on a low oak branch in the morning. To think there was a time I thought birds were kind of boring. Brown bird. Gray bird. Black bird. Blah blah blah bird. Then, I started to learn their names by the ocean and the person I was dating said, That’s the problem with you, Limón, you’re all fauna and no flora. And I began to learn the names of trees. I like to call things as they are. Before, the only thing I was interested in was love, how it grips you, how it terrifies you, how it annihilates you, and resuscitates you. I didn’t know then that it wasn’t even love that I was interested in, but my own suffering. I thought suffering kept things interesting. How funny that I called it love and the whole time it was pain.•
Ada Limón is the author of Lucky Wreck, This Big Fake World, Sharks in the Rivers, Bright Dead Things, The Carrying, The Hurting Kind, and Startlement: New and Selected Poems. Her two children’s picture books are And, Too, the Fox and In Praise of Mystery, and she is the editor of the anthology You Are Here: Poetry in the Natural World. She received a 2023 MacArthur Fellowship and served as a two-time poet laureate of the United States from 2022 to 2025. Limón lives in Sonoma, where she is originally from.
