”THE PLEASURE-SEEKERS”
Cady WellsMyron Brinig’s The Flutter of an Eyelid is the great lost classic of Los Angeles literature. Reviewed by Chris Daley
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“BODY LANGUAGE”
City Lights PublishersCarribean Fragoza’s debut collection, Eat the Mouth That Feeds You, is a work of exceptional power. Reviewed by Wendy C. Ortiz
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“THE ALTERNATE HISTORY OF LOS ANGELES”
Jeff ClarkIn ELADATL: A History of the East Los Angeles Dirigible Air Transport Lines, Sesshu Foster and Arturo Ernesto Romo imagine the City of Angels as it might have been. Reviewed by Mark Haskell Smith
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“THE LONELY CITY”
Vincent PeriniRosecrans Baldwin’s Everything No is a Los Angeles fever dream. Reviewed by David L. Ulin
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“SPHERES OF INFLUENCE”
JULIE PATTERSONMatthew Specktor’s Always Crashing in the Same Car is a memoir through the lens of art. Reviewed by Claire Dederer
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“TAKING LIBERTIES”
Harry DodgeWith On Freedom, Maggie Nelson raises complicated questions about what it means to be free. Reviewed by Joy Press
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“CRIME AND PUNISHMENT”
Graywolf PressPercival Everett’s The Trees is a masterful allegory about America and race. Reviewed by Michael Schaub
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“NOTES OF A NATIVE SON”
Bobby GordonJosé Vadi’s Inter State looks at California from the inside. Reviewed by Sophia Stewart
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“ONLY REVOLUTIONS”
City Lights PublishersRevolutionary Letters and Spring and Autumn Annals recall the power of Diane di Prima’s voice. Reviewed by Lynell George
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“BODY AND SOUL”
Virginia Barnes and Brienne MichelleNatashia Deón’s The Perishing and Venita Blackburn’s How to Wrestle a Girl give voice to powerful Black women characters. Reviewed by Anita Felicelli
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